Articles (1995 - 2012)
Forthcoming
Articles & Chapters in Books
‘The Ghost in the Machine: Spirit and Technology’, in Sally R. Munt
and Olu Jenzen (eds), The Ashgate Research Companion to
Paranormal Culture (London and Toronto: Ashgate, 2012) [chapter].
Articles & Chapters in Books
'Framing the Word: Commentary, Context, and Composition', in Martin
O'Kane (ed.), Bible, Art, Gallery (Sheffield: Sheffield
Phoenix Press, 2012) [chapter].
'Visual Culture’, in Michael Strausberg and Steven Engler (eds)
Handbook of Research Methods in Religious Studies (London:
Routledge, 2011), 502-22 [chapter].
The
Bible and Art in Wales: A Nonconformist Perspective', in Martin O'Kane and John Morgan-Guy (eds.), Biblical Art from Wales
(Sheffield: Sheffield Phoenix Press, 2010),
72-89 [chapter].
'The Agony in the Garden: The Visions of Evan Roberts and the 1904–5
Welsh Revival,' in Dyfed Wyn Roberts (ed.), Revival, Renewal and
the Holy Spirit, Studies in Evangelical Thought (Carlisle: Paternoster Press, 2009),
129-38
[chapter].
'Seen
to be Remembered: Representation, and Recollection in Contemporary
British Evangelical Culture,' in Mark Smith (ed.), British
Evangelical Identities: Past and Present, Studies in Evangelical
Thought, 2 vols, I, (Carlisle: Paternoster Press, 2009), 180-200 [chapter].
'Visual Typology and Pentecostal Theology: The Paintings of Nicholas
Evans,' in Martin O’Kane (ed.) Imaging the Bible: An Introduction
to Biblical Art
(London: SPCK, 2008), 123-41.
‘Revival,
Revisions, Visions and Visitations: The Resurgence and Imaging of
Supernatural Religion, 1850–1940’, The Welsh History Review,
23/2 (Dec. 2006), 75–98.
‘The Photographic Medium: Representation, Reconstitution, Consciousness, and Collaboration in Early-Twentieth-Century Spiritualism’, Technoetic Arts: A Journal of Speculative Research, 2/2 (2004), 109-23.
‘Seen To Be
Remembered: Presentation, Representation and Recollection In British
Evangelical Culture Since the Late 1970s’, Journal of Design
History, 17/2 (2004), 177-92.
'Images of God:
Artistic Inspiration and Pentecostal Theology (A Case Study)', Journal
of Pentecostal Theology, 10 (Apr. 1997), 111-24.
'Nicholas Evans:
Paintings by a Mad Pianist', in John Harper (ed.), Welsh Music
History/Hanes Cerddoriaeth Cymru, 2 (Cardiff: University of
Wales Press, 1997), 236-51.
Short Articles & Authored Reviews
‘The Perfect
Medium: Photography and the Occult’ [review], Material Religion:
The Journal of Objects, Art and Belief, 2/2 (July 2006), 255–6.
'An Elusive Tradition: Art and Society in Wales, 1870-1950' [review],
The Welsh History Review/Cylchgrawn Hanes Cymru, 22, no. 2 (Dec. 2004), 390-2.
'Preaching What
We Practise’, Printmaking Today, 13, no. 1 (Spring 2004), 27.
'Art and Soul: Signposts for Christians in the Arts' [review], Citizen
Bulletin, 45 (July 2000), 22–3.
‘George Chapman (1908–1993)’, Llafur: Journal of Welsh Labour
History, 6/4 (1995), 7–8.
|
|