Articles (1995 - 2012)

F
orthcoming Articles & Chapters in Books

‘The Ghost in the Machine: Spirit and Technology’, in Sally R. Munt and Olu Jenzen (eds), The Ashgate Research Companion to Paranormal Culture (London and Toronto: Ashgate, 2012) [chapter].



Articles & Chapters in Books

'Framing the Word: Commentary, Context, and Composition', in Martin O'Kane (ed.),  Bible, Art, Gallery (Sheffield: Sheffield Phoenix Press, 2012) [chapter].

'Visual Culture’, in Michael Strausberg and Steven Engler (eds) Handbook of Research Methods in Religious Studies (London: Routledge, 2011), 502-22 [chapter].

The Bible and Art in Wales: A Nonconformist Perspective', in Martin O'Kane and John Morgan-Guy (eds.), Biblical Art from Wales (Sheffield: Sheffield Phoenix Press, 2010), 72-89 [chapter].

'The Agony in the Garden: The Visions of Evan Roberts and the 1904–5 Welsh Revival,' in Dyfed Wyn Roberts (ed.), Revival, Renewal and the Holy Spirit, Studies in Evangelical Thought (Carlisle: Paternoster Press, 2009), 129-38
[chapter].

'Seen to be Remembered: Representation, and Recollection in Contemporary British Evangelical Culture,' in Mark Smith (ed.), British Evangelical Identities: Past and Present, Studies in Evangelical Thought, 2 vols, I, (Carlisle: Paternoster Press, 2009), 180-200 [chapter].

'Visual Typology and Pentecostal Theology: The Paintings of Nicholas Evans,' in Martin O’Kane (ed.) Imaging the Bible: An Introduction to Biblical Art (London: SPCK, 2008), 123-41.

‘Revival, Revisions, Visions and Visitations: The Resurgence and Imaging of Supernatural Religion, 1850–1940’, The Welsh History Review, 23/2 (Dec. 2006), 75–98.

‘The Photographic Medium: Representation, Reconstitution, Consciousness, and Collaboration in Early-Twentieth-Century Spiritualism’, Technoetic Arts: A Journal of Speculative Research, 2/2 (2004), 109-23.

‘Seen To Be Remembered: Presentation, Representation and Recollection In British Evangelical Culture Since the Late 1970s’, Journal of Design History, 17/2 (2004), 177-92.

'Images of God: Artistic Inspiration and Pentecostal Theology (A Case Study)', Journal of Pentecostal Theology, 10 (Apr. 1997), 111-24. 

'Nicholas Evans: Paintings by a Mad Pianist', in John Harper (ed.), Welsh Music History/Hanes Cerddoriaeth Cymru, 2 (Cardiff: University of Wales Press, 1997), 236-51.


Short Articles & Authored Reviews

‘The Perfect Medium: Photography and the Occult’ [review], Material Religion: The Journal of Objects, Art and Belief, 2/2 (July 2006), 255–6.

'An Elusive Tradition: Art and Society in Wales, 1870-1950' [review], The Welsh History Review/Cylchgrawn Hanes Cymru, 22, no. 2 (Dec. 2004), 390-2.

'Preaching What We Practise’, Printmaking Today, 13, no. 1 (Spring 2004), 27.

'Art and Soul: Signposts for Christians in the Arts' [review], Citizen Bulletin, 45 (July 2000), 22–3.

‘George Chapman (1908–1993)’, Llafur: Journal of Welsh Labour History, 6/4 (1995), 7–8.









 






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